Long Day's Journey Into Night, by Eugene O'Neil

Jeremy Irons

Lesley Manville

Director: Richard Eyre

Designer: Rob Howell

Lighting Designer: Peter Mumford

Sound Designer: John Leonard

"Oustanding... Deeply Moving"- The Guardian

"5 stars"- Daily Mail

Rob Howell

Set and Costume Designer

Rob Howell’s work in theatre includes The Observer; Her Naked Skin, The Reporter, Buried Child, Chips With Everything, Troilus and Cressida, Money, Battle Royal and Howard Katz for the National Theatre; Matilda the Musical (also West End, Broadway, Australia and US Tour), The Shakespeare Review, The Painter of Dishonour, Little Eyolf, Richard III, and The Family Reunion for the RSC; The Ferryman, Simpatico, Hard Fruit, and Real Classy Affair for the Royal Court; Tartuffe, The Government Inspector, Vassa, Conversations after a Burial, Lulu (also at the Kennedy Center, Washington), Faith Healer, The Lady from the Sea and Hedda Gabler (also at the Duke of York’s Theatre) for the Almeida; Fathers and Sons. Philadelphia, Here I Come,  Habeas Corpus, The Fix, How I Learned to Drive, True West, The Glass Menagerie (also at the Comedy Theatre), and Proof for the Donmar; Stephen Ward, Deathtrap, The Prisoner of Second Avenue, Private Lives, Tom & Clem,  Tell Me On A Sunday, The Caretaker and Our House in the West End; Ghost the Musical in Manchester, the West End and Broadway; The Graduate in the West End, Australia and on Broadway; Sunset Boulevard on UK Tour; True West at the Circle in the Square, New York;  Wild Honey,  and Little Malcolm and his Struggle Against the Eunuchs (and in the West End ) at Hampstead Theatre; Betrayal at the Theatre D'atelier, Paris, and on Broadway; Simply Heavenly at the Young Vic; Long Day’s Journey Into Night at the Bristol Old Vic; Peter Pan at the West Yorkshire Playhouse; Julius Caesar at the Manchester Royal Exchange; Eddie Izzard tours in 1998 and 2000; Endgame at the Albery Theatre, Bash at the Trafalgar Studios, Boeing Boeing at the Comedy Theatre and Broadway, Lord of the Rings at the Theatre Royal, Drury Lane and Toronto; Groundhog Day (also on Broadway), The Caretaker, The Master Builder; The Lorax; Future Conditional; A Flea In Her Ear,  Inherit The Wind, The Norman Conquests (also on Broadway), Speed the Plow and Complicit at the Old Vic; The Last Cigarette at Chichester Festival Theatre and The Trafalgar Studios. His opera credits include Turn of the Screw for the Welsh National Opera, Sophie's Choice for the Royal Opera House, and for The Metropolitan Opera in New York; Carmen, Werther,, and Manon Lescaut  (also for The Festspielhaus, Baden Baden). 

Rob has received numerous Oliver and Tony nominations, and has been awarded Oliviers for Best Set Designer in the years 2000 and 2006. For Matilda the Musical he won the Oliver award in 2012, and Drama Desk, Outer Critic’s Circle, and Tony awards in 2013. 

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